Posts Tagged ‘metropolitan opera’
sobota, wrzesień 4th, 2010
Peter Stein, a German opera director, said he had been offended by his treatment after applying for a U.S.
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Director Says He Left Met Production in Visa Spat
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piątek, czerwiec 18th, 2010
Natalia Osipova endures a mugging and prepares to dance Princess Aurora in “The Sleeping Beauty.”
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Natalia Osipova’s Forceful Rise in Ballet
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sobota, maj 8th, 2010
The Met and the New York City Opera make it through seasons with lots of behind-the-scenes drama caused by budget and leadership crises and illness.
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Fraught Seasons at Met and City Opera
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środa, kwiecień 28th, 2010
The Metropolitan Opera, hobbled by the ailments of its maestro, James Levine, has appointed a principal guest conductor, Fabio Luisi.
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Fabio Luisi Is to Be Met Opera’s Principal Guest Conductor
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poniedziałek, kwiecień 26th, 2010
Wagner’s early milestone “Der Fliegende Holländer” returned to the Met in a performance that lacked intensity and Wagnerian splendor.
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Music Review: Deborah Voigt in Met’s ‘Der Fliegende Holländer’
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środa, kwiecień 21st, 2010
Putting ego aside, Andris Nelsons, 31, lets an orchestra know early on that their joint task is to achieve not what the conductor wants, but what is best for the composer.
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Young Conductor at the Forefront of His Field
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piątek, kwiecień 16th, 2010
The new “Tosca” cast had three exceptional singers — Bryn Terfel, Patricia Racette and Jonas Kaufmann — all performing their roles for the first time at the Met.
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Music Review: At Met, Bryn Terfel and Patricia Racette in ‘Tosca’
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środa, kwiecień 14th, 2010
There was cautiousness in every element of the Metropolitan Opera’s “Armida,” starring Renée Fleming in the title role.
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Music Review: Rossini’s ‘Armida’ Has Its Premiere at the Met
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piątek, kwiecień 2nd, 2010
Leonard Slatkin is departing the production after a critically panned first performance.
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Leonard Slatkin Withdraws From Met’s ‘Traviata’
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środa, marzec 31st, 2010
Who would have guessed that a routine revival of “La Traviata” at the Metropolitan Opera could cause such a ruckus?
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Music Review: In Revival of Verdi, a New Note of Drama
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