Posts Tagged ‘london (england)’
piątek, sierpień 13th, 2010
Two popular shows in London question what it means to be an audience member.
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At ‘Malfi’ and ‘Bum Bum’ in London, Active Audience
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środa, sierpień 11th, 2010
As the current London theater season proves, strong material much merits another go-round, served up by artists for whom a potentially well-worn source remains a place of wonder.
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On the London Stage: Old Favorites, With New Tricks
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poniedziałek, sierpień 9th, 2010
The National Theater in London is offering many end-of-the-world visions, most notably Mike Bartlett’s “Earthquakes in London.”
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Theater: ‘Earthquakes’ at National Theater in London
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wtorek, sierpień 3rd, 2010
“Henry VIII,” written late in Shakespeare’s career, in collaboration with John Fletcher, is the most spectacle-driven and politically circumspect work in the canon.
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London Theater Journal: Pomp and Circumstance
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sobota, lipiec 31st, 2010
Ben Brantley in London considers “Spur of the Moment,” written by a 17-year-old, and early works by Eugene O’Neill and Tennessee Williams.
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Theater: In London, Young Playwrights, Including O’Neill
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piątek, lipiec 16th, 2010
While auction houses have struggled to find a good inventory of Old Masters, art dealers in London are currently offering a wealth of high quality work.
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For Old Masters, It’s Dealers’ Choice
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czwartek, lipiec 15th, 2010
Mark Rylance’s fearless and footloose performance gives life to an otherwise pedantic exercise in the vein of Molière.
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On the London Stage: Actor’s Skill, in Delivery and Dexterity, Redeems ‘La Bête’
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poniedziałek, lipiec 12th, 2010
An exhibition at the National Gallery in London about the chemistry of painting suggests how elusive art is.
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Abroad: Testing Art for Authenticity at London’s National Gallery
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środa, lipiec 7th, 2010
Nick Jonas takes his fan base with him to the West End of London, where he is appearing in “Les Misérables.”
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Nick Jonas’s Fans Swoon at ‘Les Miz’ in London
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wtorek, czerwiec 29th, 2010
In a double bill directed by Sam Mendes at the Old Vic, Stephen Dillane’s Prospero in “The Tempest” is casually disengaged, while Juliet Rylance is very much “on” as Rosalind in “As You Like It.”
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Review: In Shakespeare, When to Underact?
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