Posts Tagged ‘academy awards (oscars)’
poniedziałek, sierpień 9th, 2010
Ms. Neal, the molasses-voiced actress whose life alternated surreally between triumph and tragedy, won both an Academy Award and a Tony.
Originally posted here:
Patricia Neal, an Oscar Winner Who Endured Tragedy, Dies at 84
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piątek, kwiecień 16th, 2010
This Argentine murder mystery, tinged with regret and longing, won the Academy Award for best foreign-language film.
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Movie Review | ‘The Secret in Their Eyes’: Cold Case, Warm Hearts in an Argentine Tale
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sobota, marzec 13th, 2010
Kathryn Bigelow’s two-fisted win at the Academy Awards has helped dismantle stereotypes about what types of films women can and should direct.
Go here to see the original:
Kathryn Bigelow: How Oscar Found Ms. Right
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poniedziałek, marzec 8th, 2010
The Iraq war drama “The Hurt Locker” took home the Oscar for best picture, while its director, Kathryn Bigelow, became the first woman to win an Oscar for best director.
Original post:
‘The Hurt Locker’ Wins Big at Oscars
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poniedziałek, marzec 8th, 2010
Sunday’s Academy Awards ceremony was one enormous Hollywood stimulus package.
Here is the original post:
The TV Watch: Supersizing the Show (Austerity Is So 2009)
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sobota, marzec 6th, 2010
This awards season has had as much narrative sweep as a made-for-television mini-series.
Original post:
The Drama of How the Race Is Run
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czwartek, marzec 4th, 2010
Stars who not long ago vied for as much as $25 million a picture have seen their upfront salaries shrink.
Read the original here:
For Movie Stars, the Big Money Is Now Deferred
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czwartek, marzec 4th, 2010
The ad sales results for the Academy Awards illustrate that demand is holding up among marketers for ad spots during so-called big event television shows.
See the rest here:
Advertising: Plenty of Ads to Go Around on Oscar Night
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czwartek, marzec 4th, 2010
The influence movies once had on fashion has been supplanted by television shows, even blogs.
See more here:
Film and Fashion: Just Friends
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poniedziałek, marzec 1st, 2010
A week before the Oscars, it’s a time to celebrate a little-recognized category of moviemaking: the title sequences that mark the beginning and end of most films.
Originally posted here:
Design: Making an Art Out of Credit Rolls
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